A Brief Analysis of the Figure of Elder Zossima in “The Brothers Karamazov” in the Light of the Neo-Anthropology of Asceticism

For Sergey Khoruzhy, Russian philosophy, which is characterized by religiosity, takes the perfect expression of the Orthodox truth as the ultimate pursuit. He believes that the Russian philosophy that truly embodies the “Russian mind” is hidden in the practice of the Russian Orthodox ascetic tradition, which contains not only the image of an ascetic Christian but also reflects the ontological state of being and the ontological intuition of being human in a universal sense. On the basis of the ascetic practice, Khoruzhy constructs three anthropological forms shaped by different forces at different levels: 1) the person who unfolds to another being (God), the ascetic, 2) the “average” person who unfolds in the unconsciousness (the Freudian person), 3) the person who is shaped by modern technological trends such as computer technology, genetic engineering, and other technologies. Such a unique anthropological framework also offers the possibility of reinterpreting and analyzing the role of Elder Zossima, a typical figure in Dostoevsky’s masterpiece “The Brothers Karamazov”.